Department of German

Books

• Katrin Sieg. Choreographing the Global in European Cinema and Theater. New York: Palgrave Macmillan, 2008.
• Katrin Sieg. Ethnic Drag. Ann Arbor: University of Michigan Press, 2002.
• Katrin Sieg. Exiles, Eccentrics, Activists: Women in Contemporary German Theatre. Ann Arbor: University of Michigan Press, 1994.

Articles in journals

• Katrin Sieg. "Cosmopolitan Empire: Central and Eastern Europeans at the Eurovision Song Contest ." European Journal of Cultural Studies 16 (2013): 244-263.
• Katrin Sieg. "Wii are Family: Performing Race in Neoliberal Europe." Theatre Research International 38.10 (2013): 20-33.
• Katrin Sieg. "Black Virgins and the Democratic Body in Europe." New German Critique 109 (2010).
• Katrin Sieg. "Women in the Fortress Europe: German Feminist Crime Fiction as Antifascist Performative." differences 16.2 (2005): 138-166.
• Katrin Sieg. "Beyond Orientalism: Masquerade, Minstrelsy, Surrogation." Seminar 41.2 (2005): 191-208.
• Katrin Sieg. "“The Ambivalence of Antifascist Rhetoric: Victims, Artists, and the Masses in Elfriede Jelinek’s Stecken, Stab und Stangl.” ." New German Critique 91 (2004).
• Katrin Sieg. "“Post-colonial Berlin? Pieke Biermann’s Crime Novels as Globalization Critique.” ." Studies in Twentieth Century Literature (2004).
• Katrin Sieg. "IndierInnen: The Globalized Woman on the Local Stage." Theatre Journal 55.2 (2003): 291-316.
• Katrin Sieg. "Sexual Desire and Social Transformation in Aimee and Jaguar." Signs: Journal of Women in Culture and Society 28.1 (2002): 303-31.
• Katrin Sieg. ""The Poets and the Power: Heiner Müller, Christa Wolf and the German Literaturstreit"." Contemporary Theatre Review (1995): 151-58.
• Katrin Sieg. ""Wigwams on the Rhine’: Race and Nationality on the German Stage"." Theater Forum 3.1 (1995): 12-19.
• Katrin Sieg. "’Sex, Subjectivity, and Socialism: Feminist Discourses in East Germany’." Genders 22 (1995): 105-33.
• Katrin Sieg. ""The Revolution Has Been Televised: Reconfiguring History and Identity in Post-Wall Germany"." Theatre Journal 45.1 (1993): 35-48.
• Katrin Sieg. ""Equality Decreed: Dramatizing Gender in East Germany"." Women in German Yearbook 9 (1993): 113-126.

Articles in books

• Katrin Sieg. "Class of 1989: Who Made Good and Who Dropped Out of German History." The German Wall: Fallout in Europe. Ed. Marc Silberman. New York, London: Palgrave Macmillan, 2011: 165-183
• Katrin Sieg. "German Theatre and Globalisation." Theatre in the Berlin Republic: German Drama since Reunification. Ed. Denise Varney. Oxford: Peter Lang, 2008: 307-324
• Katrin Sieg. "Homosexualität und Dissidenz: Zur Freiheit der Liebe in Heiner Carows Coming-Out." Die imaginierte Nation: Identität, Körper und Geschlecht in DEFA-Filmen. Ed. Bettina Mathes. Berlin: DEFA Stiftung, 2007: 256-280
• Katrin Sieg. "Globalizing Neoliberalism, Traveling Feminisms: Pollesch@Prater." Staging International Feminisms. Ed. Elaine Aston and Sue-Ellen Case. London: Palgrave Macmillan, 2007: 37-51
• Katrin Sieg. "Kunst in der Suppenkueche des Kapitals: Pollesch@Volksbuehne." Das Analoge straeubt sich gegen das Digitale? Materialitaeten des deutschen Theaters in einer Welt des Virtuellen. Ed. Moray McGowan and David Barnett. Berlin: Theater der Zeit, 2006: 21-32
• Katrin Sieg. "’Rasse’ Diskurse in der Nachkriegszeit: Winnetou in Bad Segeberg." Weiss, Weisssein, Whiteness: Kritische Studien zu Gender und Rassismus. Ed. Martina Tissberger, Jana Husmann-Katein, Gabriele Dietze, Daniela Hrzan. Frankfurt: Peter Lang, 2005: 143-64
• Katrin Sieg. ""Indian Impersonation as Historical Surrogation"." Germans and Indians: Fantasies, Encounters, Projections. Ed. Colin Calloway, Gert Gemünden, Susanne Zantop. Lincoln: Nebraska University Press, 2002: 217-42
• Katrin Sieg. ""Ethnic Drag and National Identity: Multicultural Crises, Crossings, and Interventions"." The Imperialist Imagination. Ed. Sara Friedrichsmeyer, Sara Lennox, Susanne Zantop. Ann Arbor: University of Michigan Press, 1998: 295-319
• Katrin Sieg. ""Deviance and Dissidence: Sexual Subjects of the Cold War"." Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Ed. Sue-Ellen Case, Susan Foster, Philip Brett. Bloomington, IN: Indiana University Press, 1995: 93-111