Books

• Anna Harwell Celenza. Duke Ellington’s Nutcracker Suite. Watertown, MA: Charlesbridge Publishing, 2010.
• Anna Harwell Celenza. Vivaldi’s Four Seasons. Watertown, MA: Charlesbridge Publishing, 2010.
• Anna Harwell Celenza. Gershwin’s Rhapsody in Blue. Watertown, MA: Charlesbridge Publishing, 2006.
• Anna Harwell Celenza. Bach’s Goldberg Variations. Watertown, MA: Charlesbridge Publishing, 2005.
• Anna Harwell Celenza. Hans Christian Andersen and Music: The Nightingale Revealed. Aldershot: Ashgate, 2005.
• Anna Harwell Celenza. Pictures at an Exhibition. Watertown, MA: Charlesbridge Publishing, 2003.
• Anna Harwell Celenza. The Early Works of Niels W. Gade: In Search of the Poetic . Aldershot, UK: Ashgate, 2001.
• Anna Harwell Celenza. St. Hans’s Evening Play Overture by Niels W. Gade . Madison, WI: A-R Editions, 2001.
• Anna Harwell Celenza. The Farewell Symphony. Watertown, MA: Charlesbridge Publishing, 2000.

Book reviews

• Anna Harwell Celenza. "Chasin’ the Bird." Notes (Journal of the Music Library Association) 63.3 (2007): 637-38.

Articles in journals

• Anna Harwell Celenza. "Darwinian Visions: Beethoven Reception in Mahler’s Vienna." Musical Quarterly (2009).
• Anna Harwell Celenza. "Niels W. Gade: The Cosmopolitan Dane." Organists’ Review XCIV.1 (2008): 33-35.
• Anna Harwell Celenza. "Building a Bulwark of the Arts: Edvard Grieg, Hans Christian Andersen, and the Euterpe Orchestra in Copenhagen." Griegforum (2006).
• Anna Harwell Celenza. "Imagined Communities Made Real: The Impact of Robert Schumann’s Neue Zeitschrift für Musik on the Formation of Music Communities in the Mid-Nineteenth Century." Journal of Musicological Research 24.1 (2005): 1-26.
• Anna Harwell Celenza. "Music and the Vienna Secession, 1897-1902." Music in Art 29.1-2 (2004): 203-212.
• Anna Harwell Celenza. "The Poet, The Pianist and the Patron: Hans Christian Andersen and Franz Liszt in Carl Alexander’s Weimar." 19th Century Music 26.3 (2002): 130-154.
• Anna Harwell Celenza. "The Nightingale Revealed: Hans Christian Andersen as Music Critic." Histori?ni Seminar 3.4 (2000): 77-95.
• Anna Harwell Celenza. "Efterklange af Ossian: The Reception of James McPherson’s Poems of Ossian in Danish Literature, Art, and Music." Scandinavian Studies 70 (1998): 359-396.
• Anna Harwell Celenza. "The Origins and Evolution of Niels W. Gade’s Agnete og Havmanden, Part II." Dansk Årbog for Musikforskning 22 (1994): 57-68.
• Anna Harwell Celenza. "The Origins and Evolution of Niels W. Gade’s Agnete og Havmanden, Part I." Dansk Årbog for Musikforskning 21 (1993): 45-47.

Articles in books

• Anna Harwell Celenza. "Hans Christian Andersen as Music Historiographer ." Music’s Intellectual History: Founders, Followers & Fads. Ed. Zdravko Blažekovi? & Barbara Dobbs Mackenzie. New York: NY: Répertoire International de Littérature Musicale, 2009.
• Anna Harwell Celenza. "Hans Christian Andersen: un desconocido historiador de la ópera." Temporada de opera de la ABAO 54. Ed. Opera de la ABAO. : Opera de la ABAO, 2006.
• Anna Harwell Celenza. "Liszt, Italy and the Republic of the Imagination." Liszt and His World. Ed. Christopher Gibbs and Dana Gooley. Princeton, NJ: Princeton University Press, 2006.
• Anna Harwell Celenza. "The Concerti:A Lost Tradition." The Cambridge Companion to Liszt. Ed. Kenneth Hamilton. Cambridge: Cambridge University Press, 2005.

Articles in conference proceedings

• Anna Harwell Celenza. "Death Transfigured: The Origins and Evolution of Franz Liszt’s Totentanz." Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. Ed. Bennett Zon and Jim Samson. Aldershot, UK: Ashgate, 2001.

Op eds

• Anna Harwell Celenza. "The Story of Louis Armstrong." North Carolina Press Foundation 2007: .